Links
Blog Archive
-
►
2011
(655)
- Dec 2011 (57)
- Nov 2011 (66)
- Oct 2011 (63)
- Sep 2011 (64)
- Aug 2011 (46)
- Jul 2011 (47)
- Jun 2011 (53)
- May 2011 (51)
- Apr 2011 (55)
- Mar 2011 (51)
- Feb 2011 (57)
- Jan 2011 (45)
-
►
2010
(630)
- Dec 2010 (36)
- Nov 2010 (59)
- Oct 2010 (52)
- Sep 2010 (70)
- Aug 2010 (47)
- Jul 2010 (57)
- Jun 2010 (52)
- May 2010 (49)
- Apr 2010 (62)
- Mar 2010 (57)
- Feb 2010 (44)
- Jan 2010 (45)
-
►
2009
(765)
- Dec 2009 (58)
- Nov 2009 (51)
- Oct 2009 (63)
- Sep 2009 (80)
- Aug 2009 (71)
- Jul 2009 (84)
- Jun 2009 (54)
- May 2009 (64)
- Apr 2009 (75)
- Mar 2009 (71)
- Feb 2009 (52)
- Jan 2009 (42)
Monday, 29 September 2008
Click the poster to relive some of those memories!

After four years as a website an archive is currently being created of materials and memories relating to the fairs.
In September 2008 this is to be given into the care of the County records Office at Lowestoft Library.
A few of us met up recently and assembled the start of the collection. This included posters, programmes, photos and film, an incomplete run of the Waveney Clarion, plus meeting minutes and other evidence of planning. We are putting the whole thing in order and noting the gaps. We will post a list of identified items on the website.
A further part of the project is to create an exhibition space suitable for its subject. At the least this will be ready for the handover next September, at the best it will be this winter's work and will result in a travelling exhibition stopping, from spring onwards, a week or two at different venues across the region, gathering more for the archive as it goes.
Got anything to contribute? This doesn’t have to be a donation, loans can be scanned and the originals returned. Individual creators copyright will be protected.
If you live in East Anglia and want to help, send us your phone number. If you live anywhere and want to help develop the web site, tell us how.
www.fairsarchive.org.uk
fairsarchive@googlemail.com
Labels:
barsham,
did-you-know?,
fairs,
then-and-now
Alerter
All you ever wanted to know about
being a retained FireFighter in Suffolk
being a retained FireFighter in Suffolk
Petrol on Road - I don't think so!Date: 26th September 2008
Time: 2110
Type: RTC, persons trapped
Address: Parkhill, Oulton, Lowestoft
Initial Attendance: Normanshurst 05, 01 and 02
Final attendance: above plus Clifton 01
Time: 2110
Type: RTC, persons trapped
Address: Parkhill, Oulton, Lowestoft
Initial Attendance: Normanshurst 05, 01 and 02
Final attendance: above plus Clifton 01
I'd just nodded off on the settee when my alerter gave me a rude awakening.
Over at the station I was first in, arriving just as White Watch were climbing aboard the PRT.
I looked at the tip sheet to see we were heading to reports of petrol on road with the location given as the road between Oulton and Hopton. This is a tad vague but we assumed this would mean the road past Park Hill Hotel.
Even as we were getting our fire kit on the bells went again. The incident was now an RTC with persons trapped. I was driving Ladder 1 with Dennis Newton as OIC and Andy 'Cheesey' Armes, Howard Clarke and Ben Horne in the back.
The section of road between Oulton Village and the Blundeston roundabout was closed by the Police and we headed past Park Hill to find the incident located in the dip on the Great Yarmouth side of the hotel.
I fended off with Ladder 1 as the guys started ferrying kit up to the RTC.
They were confronted by two cars about 10 metres apart, both at right angles to the road. White Watch were working on a Corsa, suggesting that the casualty needing most assistance was in that car. Our crews started to set up the cutting gear for the Omega estate but were able to free the driver with minimal effort as he was only lightly trapped. In fact he was able to hobble to the ambulance himself! Very lucky, especially when you see the amount of space his lower legs had been compressed in to.
All the focus then shifted to the continuing efforts to release the young male driver from the Corsa. He was heavily trapped and it took quite some time to free him and extricate him on a spinal board to the ambulance.
Amongst all this was Mel, not as part of one of our crews but he arrived at the scene shortly after it had happened. Bit daunting being faced with a full blown RTC but with no gear, no backup and some motorists intent on weaving their way through the whole shebang!
Gear was made up and our crew got the short straw of providing scene lighting to allow the Police crash investigators to carry out their survey. This involves numerous measurements, photographs and satellite mapping of the scene. This is detailed stuff and seems to take ages - no, it did take ages!
The temperature was dropping as we were joined by the recovery crew from Hammonds of Halesworth and the council guys, there to clear the debris from the road.
To warm us up, Ben filled the kettle from the main tank and made hot drinks for all those happy to risk it!
We finally got back on station at around 1.30am this morning...
A big thank you to Karen... Those of you who know us will understand that she had to wait patiently till I got back before she could get to bed. Not one grumble, not one gripe just concerned that I was OK.
www.alerter.co.uk
Saturday, 27 September 2008
Hollow EarthProgressive Rock Band
Hollow Earth are a live tribute band to the 70s and 80s progressive rock movement based in Norwich.
They perform the music of Pink Floyd, Yes, Genesis and more with their own style of musicianship.
The band brings to smaller venues the full sound and light spectacular that is usually only seen performed by the original bands in large stadiums. Added to this the band performs their own compositions that make Hollow Earth so different from most other tribute acts.
Their own compositions are being fitted into the already impressive set list which is giving the musicians a more creative outlet. All the band requires now is the opportunity to prove to the world that 'Prog' is alive and kicking by finding the right venue for each show.
Those of you who appreciated the stadium gigs of the seventies and eighties when stages were enblazened with lights and lasers, when bands had drum kits that suddenly sprouted wings resembling giant insects, huge inflatable pigs were hovering menacingly overhead whilst low flying aircraft crashed into the stage, would without doubt understand and appreciate an evening of 'Hollow Earth'.
They perform the music of Pink Floyd, Yes, Genesis and more with their own style of musicianship.
The band brings to smaller venues the full sound and light spectacular that is usually only seen performed by the original bands in large stadiums. Added to this the band performs their own compositions that make Hollow Earth so different from most other tribute acts.
Their own compositions are being fitted into the already impressive set list which is giving the musicians a more creative outlet. All the band requires now is the opportunity to prove to the world that 'Prog' is alive and kicking by finding the right venue for each show.
Those of you who appreciated the stadium gigs of the seventies and eighties when stages were enblazened with lights and lasers, when bands had drum kits that suddenly sprouted wings resembling giant insects, huge inflatable pigs were hovering menacingly overhead whilst low flying aircraft crashed into the stage, would without doubt understand and appreciate an evening of 'Hollow Earth'.
Kym Blackman:Lead Vocals, Guitars
Stewart Burchell: Keyboards
Paul Hart:Guitars, Backing Vox
Tim Dew: Drums, percussion, Backing Vox
Andy Pye:Bass Guitar

Hollow Earth Web Site:
www.freewebs.com/hollowearthsite
Hollow Earth MySpace:
www.myspace.com/hollowearthsite
Labels:
business-editorials,
entertainment,
gigs,
great-yarmouth,
halesworth,
harleston,
loddon,
lowestoft,
music,
norfolk-broads,
southwold
Friday, 26 September 2008
Seachange Arts
The first international arts
festival for Great Yarmouth
31 October to 2 November 2008
All outdoor events are free
Click poster to enlarge
www.outtherefestival.com
www.seachangearts.org.uk
SeaChange Arts, Maritime House, 25 Marine Parade, Great Yarmouth NR30 2EN
festival for Great Yarmouth
31 October to 2 November 2008
All outdoor events are free
Click poster to enlargewww.outtherefestival.com
www.seachangearts.org.uk
SeaChange Arts, Maritime House, 25 Marine Parade, Great Yarmouth NR30 2EN
Labels:
arts-and-theatre,
charities,
community,
events,
great-yarmouth,
norfolk,
seachange arts
UK Broads Authority helps rowing club buy British Olympic squad boat
A 20 year old blind rower is one of a growing number of young members of Beccles Rowing Club who are benefiting from two new sculling boats which were part funded by the Broads Authority’s Sustainable Development Fund (SDF).
Mark Banham, from Loddon, who has been blind since the age of three, has trained with the club for the past seven years. This year his determination and skills paid off with two major wins which has moved him up from the novice to the senior divisions.
The Sustainable Development Fund (SDF) granted £8,500 to the club which tracked down and bought a brand new double scull which was built for the Great Britain rowing squad. With its eye-catching canvas in red, white and blue and still under wraps it was a bargain at £4,400 because Eton Racing Boats, a subsidiary of Eton College, had closed down.
The club also used the money to buy a second hand quadruple scull from Royal Holloway College, which can be used with sweep oars or sculls.
Beccles Rowing Club’s junior membership has doubled to 20 since its new boathouse was built last year and needed new boats to meet the demand.
Many of them are competitive and some of the juniors, aged from 12 to 19, took part in their first regatta in Cambridge this summer and are competing in another on October 5th.
On 21st September 21 year old Matthew Lawes from Beccles, won the senior 4 sculls in the 31 mile Boston Marathon in 4 hours 5 mins.
Mark, who suffers from a genetic condition, Retinitis Pigmentosa (RP) learnt to row at a school for the blind in Worcester, but returned to Norfolk at 13 and joined Beccles Rowing Club. His 15 year old sister Rebecca sculls and coxes for the club.
“I like the team aspect of it,” explained Mark. “I like being in a crew and the physical side of it, and if I had been sighted I would have taken up other team sports. You are all going backwards at the end of the day anyway!"
Mark, who went to Loddon and Langley schools, rows for Hatfield College, Durham where he is studying psychology. He is committed to as many as eight training sessions a week, and in addition, after Easter, he is juggling regattas around exams, starting with the Head of the River Race from Mortlake to Putney, which draws 500 competitors.
This year he had the thrill of being in the winning boat at St Neots in a double scull with Matthew Lawes, who rows for Fitzwilliam College, Cambridge. He also won the novice coxed 4s rowing event at Durham’s 175th anniversary regatta.
“You have to do a lot of losing before you start to win,” he said. “But it’s very fulfilling when you do.”
Club chairman Robin de Vere Green said: "Mark is one of those delightful people with an enormous sense of humour who doesn’t want to miss anything. He just goes by the rhythm in a crew of four and is a great part of the team.
“We are very grateful to the Broads Authority’s Sustainable Development Fund for its grant. Rowing is a sport of high attainment with very limited funding and the new boats will be very effectively utitilised. Anything which encourages rowing as an Olympic sport must be worthwhile.”
becclesrowingclub.co.uk
www.bymnews.com
A 20 year old blind rower is one of a growing number of young members of Beccles Rowing Club who are benefiting from two new sculling boats which were part funded by the Broads Authority’s Sustainable Development Fund (SDF).
Mark Banham, from Loddon, who has been blind since the age of three, has trained with the club for the past seven years. This year his determination and skills paid off with two major wins which has moved him up from the novice to the senior divisions.
The Sustainable Development Fund (SDF) granted £8,500 to the club which tracked down and bought a brand new double scull which was built for the Great Britain rowing squad. With its eye-catching canvas in red, white and blue and still under wraps it was a bargain at £4,400 because Eton Racing Boats, a subsidiary of Eton College, had closed down.
The club also used the money to buy a second hand quadruple scull from Royal Holloway College, which can be used with sweep oars or sculls.
Beccles Rowing Club’s junior membership has doubled to 20 since its new boathouse was built last year and needed new boats to meet the demand.
Many of them are competitive and some of the juniors, aged from 12 to 19, took part in their first regatta in Cambridge this summer and are competing in another on October 5th.
On 21st September 21 year old Matthew Lawes from Beccles, won the senior 4 sculls in the 31 mile Boston Marathon in 4 hours 5 mins.
Mark, who suffers from a genetic condition, Retinitis Pigmentosa (RP) learnt to row at a school for the blind in Worcester, but returned to Norfolk at 13 and joined Beccles Rowing Club. His 15 year old sister Rebecca sculls and coxes for the club.
“I like the team aspect of it,” explained Mark. “I like being in a crew and the physical side of it, and if I had been sighted I would have taken up other team sports. You are all going backwards at the end of the day anyway!"
Mark, who went to Loddon and Langley schools, rows for Hatfield College, Durham where he is studying psychology. He is committed to as many as eight training sessions a week, and in addition, after Easter, he is juggling regattas around exams, starting with the Head of the River Race from Mortlake to Putney, which draws 500 competitors.
This year he had the thrill of being in the winning boat at St Neots in a double scull with Matthew Lawes, who rows for Fitzwilliam College, Cambridge. He also won the novice coxed 4s rowing event at Durham’s 175th anniversary regatta.
“You have to do a lot of losing before you start to win,” he said. “But it’s very fulfilling when you do.”
Club chairman Robin de Vere Green said: "Mark is one of those delightful people with an enormous sense of humour who doesn’t want to miss anything. He just goes by the rhythm in a crew of four and is a great part of the team.
“We are very grateful to the Broads Authority’s Sustainable Development Fund for its grant. Rowing is a sport of high attainment with very limited funding and the new boats will be very effectively utitilised. Anything which encourages rowing as an Olympic sport must be worthwhile.”
becclesrowingclub.co.uk
www.bymnews.com
Labels:
clubs,
loddon,
norfolk-broads,
sailing-and-boating,
snippets,
sport
Thursday, 25 September 2008
continued from previous blog
Visit almost any part of the river Waveney and it doesn’t really matter whether or not you have anything specifically planned. There is always something to interest all ages and if you decide to do nothing there is no better place to do it!!
What could be more relaxing than to just sit on the bank in the sunshine, fanned by a gentle breeze that invariably blows up the river, rustling the reeds and causing small ripples on the surface of the slow moving tide.
The silence is only broken by sounds like a fish jumping out of the water and causing a splash when it drops in again, the cry of a water hen or perhaps the drone of a bee or beautiful dragonfly as it hovers over the various plants that grow close to the edge out of the main flow where it is shallow. Many different kinds of fish of various shapes and sizes can be observed and identified as they swim by.
Did You Know?
Between the Wars many schoolchildren spent much of their summer holidays down by the river. Sometimes with their parents but very often, from the age of about twelve, they would go on their own and meet up with friends. Teenagers were often put in charge of younger brothers and sisters. Some paddled and fished for tiddlers while others went in where the water was deeper and learned to swim. There were different parts of the river to suit particular needs. Like stretches for the very young where the banks were low and they were able to wade in on a soft sandy bottom. Other parts were stony and the children had to wear beach shoes or an old pair of plimsoles to enable them to walk about comfortably without fear of their feet getting sore or even cut.
Strong swimmers made for the deeper parts. All along the river there are still places reputed to be bottomless and each has its own name and story. The constant flow of water for many years over the sluice at Bungay Staithe dug out a hole of anything between fifteen and twenty feet deep. At the same time creating a small island about thirty yards down stream. There was always an ongoing competition to see who could dive to the bottom and bring something up to prove they had actually been all the way down. A handful of shingle might be sufficient evidence, if you managed to get it to the surface before it washed away. Sometimes there were unwanted rewards.
That particular spot was a favoured one for drowning unwanted kittens. They were put into a sack, weighted down with a brick and dropped into the water. This was usually done under the cover of darkness when there was no one about. Unfortunately, when the sack had sunk and settled on the bottom there was no tide to move it and on more than one occasion, it was known for such a package to be retrieved by a diver searching for something to bring to the surface.
What could be better on a warm Sunday afternoon than sitting back and being propelled slowly up the river. The only noise to be heard was the splash of the blades breaking the surface and the creaking as the oars turned the rowlocks with each stroke. This was followed by the sound of the water hitting the bows as the boat was thrust forward parting the stream. It was both rhythmical and relaxing! Rowing boats of all sizes were available for hire along the non tidal stretches of the river.
A popular family outing for those who were able to afford it was a trip to a favourite spot where they could moor up and lay out a cloth for a picnic. They would arrive on foot or their bicycles loaded with picnic baskets and often a tin kettle and primus stove. Tea always tasted much better if it was freshly made than it did from a thermos flask. Later, when people returned their boats to the yard, there were often tables laid for tea, cake and biscuits down by the waters edge to tempt those that hadn’t been fortunate enough to enjoy a picnic.
It wasn’t really necessary to do anything when you were by the Waveney. There was always something happening to catch your attention. Constant visitors could monitor the progress made by the signets of the various pairs of swans. They were regular residents who claimed their own stretch of river with strict boundaries. Serious fights could be seen at times when one tried to encroach onto another’s territory. All kinds of wildlife are still there to be observed and enjoyed, from herons, water hens and teals right down to the ’boatmen’ skimming about on the surface in and around the reeds.
For many people living in the Waveney Valley the river has played an important part in their life. It was more so for our forefathers who were dependant on the Wherries to bring in supplies. Nevertheless, as well as being a natural boundary between the Counties, it still has a very essential role in our environment. So let us continue to enjoy it and make sure we do all we can to preserve it for future generations.
valley lad - [FIFTY-SIX]
Visit almost any part of the river Waveney and it doesn’t really matter whether or not you have anything specifically planned. There is always something to interest all ages and if you decide to do nothing there is no better place to do it!!
What could be more relaxing than to just sit on the bank in the sunshine, fanned by a gentle breeze that invariably blows up the river, rustling the reeds and causing small ripples on the surface of the slow moving tide.
The silence is only broken by sounds like a fish jumping out of the water and causing a splash when it drops in again, the cry of a water hen or perhaps the drone of a bee or beautiful dragonfly as it hovers over the various plants that grow close to the edge out of the main flow where it is shallow. Many different kinds of fish of various shapes and sizes can be observed and identified as they swim by.Did You Know?
Between the Wars many schoolchildren spent much of their summer holidays down by the river. Sometimes with their parents but very often, from the age of about twelve, they would go on their own and meet up with friends. Teenagers were often put in charge of younger brothers and sisters. Some paddled and fished for tiddlers while others went in where the water was deeper and learned to swim. There were different parts of the river to suit particular needs. Like stretches for the very young where the banks were low and they were able to wade in on a soft sandy bottom. Other parts were stony and the children had to wear beach shoes or an old pair of plimsoles to enable them to walk about comfortably without fear of their feet getting sore or even cut.
Strong swimmers made for the deeper parts. All along the river there are still places reputed to be bottomless and each has its own name and story. The constant flow of water for many years over the sluice at Bungay Staithe dug out a hole of anything between fifteen and twenty feet deep. At the same time creating a small island about thirty yards down stream. There was always an ongoing competition to see who could dive to the bottom and bring something up to prove they had actually been all the way down. A handful of shingle might be sufficient evidence, if you managed to get it to the surface before it washed away. Sometimes there were unwanted rewards.That particular spot was a favoured one for drowning unwanted kittens. They were put into a sack, weighted down with a brick and dropped into the water. This was usually done under the cover of darkness when there was no one about. Unfortunately, when the sack had sunk and settled on the bottom there was no tide to move it and on more than one occasion, it was known for such a package to be retrieved by a diver searching for something to bring to the surface.
What could be better on a warm Sunday afternoon than sitting back and being propelled slowly up the river. The only noise to be heard was the splash of the blades breaking the surface and the creaking as the oars turned the rowlocks with each stroke. This was followed by the sound of the water hitting the bows as the boat was thrust forward parting the stream. It was both rhythmical and relaxing! Rowing boats of all sizes were available for hire along the non tidal stretches of the river.
A popular family outing for those who were able to afford it was a trip to a favourite spot where they could moor up and lay out a cloth for a picnic. They would arrive on foot or their bicycles loaded with picnic baskets and often a tin kettle and primus stove. Tea always tasted much better if it was freshly made than it did from a thermos flask. Later, when people returned their boats to the yard, there were often tables laid for tea, cake and biscuits down by the waters edge to tempt those that hadn’t been fortunate enough to enjoy a picnic.It wasn’t really necessary to do anything when you were by the Waveney. There was always something happening to catch your attention. Constant visitors could monitor the progress made by the signets of the various pairs of swans. They were regular residents who claimed their own stretch of river with strict boundaries. Serious fights could be seen at times when one tried to encroach onto another’s territory. All kinds of wildlife are still there to be observed and enjoyed, from herons, water hens and teals right down to the ’boatmen’ skimming about on the surface in and around the reeds.
For many people living in the Waveney Valley the river has played an important part in their life. It was more so for our forefathers who were dependant on the Wherries to bring in supplies. Nevertheless, as well as being a natural boundary between the Counties, it still has a very essential role in our environment. So let us continue to enjoy it and make sure we do all we can to preserve it for future generations.valley lad - [FIFTY-SIX]

Labels:
did-you-know?,
stories,
then-and-now,
valley-lad
Tuesday, 23 September 2008
Hockey Level 1 Umpire Award
Norfolk Hockey Umpiring Association is running a Level 1 Umpire Award Course on Sunday 5 October 2008, Kirkley High School, Lowestoft.
The Level 1 Umpire Award is the first level of the official hockey umpiring qualifications. It is made up of 3 key parts, a course delivering the theory of umpiring, practice matches and a practical assessment. Candidates have 1 year to complete the practical assessment after passing their theory test. This course is suitable for candidates aged 15+, both players and spectators alike.
For an application form click on the link below, or for more information contact:
Alan Jones Tel: 01603 747965 or email: alan@wittsend.co.uk
Hockey L1 Umpire Course Oct08 (154.5 KB)
Active Norfolk
The Turner Road Centre, Turner Road, Norwich, NR2 4HB
Email: info@activenorfolk.org | Tel: 01603 697011
Labels:
active-norfolk,
clubs,
community,
courses,
events,
health-and-wellbeing,
snippets,
sport
Hockey Foundation Umpire Award
The Foundation Umpire Award is the step between the Young Umpire Day (aimed at 10-13 year olds) & the Level 1 Umpires Award. The Foundation Umpire Award is aimed at any participant aged 14+, & offers them an introduction to umpiring 11-a-side hockey.
This course has been organised by Norfolk Hockey Umpiring Association in partnership with Active Norfolk and England Hockey.
Venue: Watton Hockey Club, Watton Leisure Centre, Dereham Road, Watton, IP25 6EZ
Cost: £16
Date: Sunday 2 November 2008
Closing Date: Monday 13 October 2008
Time: Registration 9.45 - 10 am, session 10 am - 4 pm
An application form is available through the link below.
For more information contact: Karen Young, Norfolk Hockey & Golf Development Officer
tel: 01603 697022 mob: 07827308998 e-mail: karen.young@activenorfolk.org
Hockey Foundation Umpire Award (upload form 153 KB)
Active Norfolk
The Turner Road Centre, Turner Road, Norwich, NR2 4HB
Email: info@activenorfolk.org | Tel: 01603 697011
Labels:
active-norfolk,
clubs,
community,
courses,
events,
health-and-wellbeing,
snippets,
sport
WE ARE MACMILLANCANCER SUPPORT
HELP CREATE A HUGE STIR
JOIN THE WORLDS BIGGEST
COFFEE MORNING
JOIN US FOR OUR
Fund Raising Day
Friday 26th September 2008
11am-4pm
£2.50 - Refreshments + raffle
proceeds go to the Macmillan Fund
Enjoy a cuppa at:
Paint & Create/Lowestoft Porcelain, Redgrave House,
10 Battery Green Road, Lowestoft, Suffolk, NR32 1DE
FOR MORE DETAILS OR EMAIL
paintandcreate@hotmail.co.uk
Website:
www.paintandcreate.co.uk
Registered Charity number 261017
Labels:
arts-and-theatre,
charities,
community,
events,
lowestoft,
macmillan,
oulton-broad,
suffolk,
tourism
The Body Electric Celebrates the Launch of London 2012’s Cultural Olympiad in Norwich
The Body Electric
by DAWOOD / DEORA
Norwich Castle Gardens
8pm to 9pm
Saturday 27 September
Sunday 28 September 2008
The Body Electric
by DAWOOD / DEORA
Norwich Castle Gardens
8pm to 9pm
Saturday 27 September
Sunday 28 September 2008
Norwich Castle will be bathed in music and the moving image as international artists Shezad Dawood and Mukul Deora present ‘The Body Electric’. A video work will be projected on to Norwich Castle, accompanied by a live electronica set mixed by Mukul. Images of the swimming pool at the colonial Breach Candy Club in Mumbai will be combined with a choreographed aerobic display, exploring sport’s power as both a uniting and dividing force in the context of changing international relationships.
This free live art performance in Norwich Castle Gardens is part of the Open Weekend celebrations to mark the launch of London 2012’s Cultural Olympiad in the East of England and has been granted the London 2012 Inspire mark. This event will be suitable for all ages and is being led by Commissions East in partnership with Norwich City Council, Norwich Castle Museum & Art Gallery and The Garage, with funding from the National Lottery through Arts Council England, East.
Shezad Dawood's projects reflect a keen cultural awareness by transplanting genres, styles and locations. With a father born in India, a mother born in Pakistan and the artist himself born in London (not to mention an Irish Catholic stepmother), his projects are all about integration. From remaking classic 1960s films such as 'Blow Up' in Pakistan, to his recent film 'Feature', a zombie western relocated to the Fens in Cambridgeshire, his films and performances challenge traditional notions of cultural identity."By linking our project between Britain and India we take an obvious history, and map it out anew to look at the whole concept of borders in a new evolving global environment." Shezad Dawood
Mukul Deora is a multi-disciplinary artist living in Mumbai, India. From pioneering electronic dance music in India in the mid 90s, Mukul moved to experimental sound installations and released his debut album 'Stray' in 2006, which reached number 12 in the Indian charts. In 2008, Mukul presented a solo show of sculptures made from silver and his own blood at the Ashish Balram Gallery in Mumbai. He has performed at the Tate Modern and the National Centre for Performing Arts, Mumbai.
‘The Body Electric’ is being supported by a series of animation, physical theatre and dance workshops for two groups of young residents run by The Garage in Norwich. The groups comprise young people who moved to Norwich supported by The Gateway Programme (see notes for editors (3) below) and others born in the city. The workshops will focus on perceptions of Norwich, and will culminate in a video and dance programme that will be presented as a performance by the young people at a reception in The Garage, after ‘The Body Electric’ on Sunday 28 September.
"Commissions East is proud to be working with such remarkable artists, and to be one of the organisations to bring the launch of the Cultural Olympiad to the East of England. We hope that the Cultural Olympiad will continue to provide these sorts of opportunities for artists to create new work and reach new audiences, whilst showcasing the UK’s world-class talent and creativity." Charity Green, Commissions East
"The Cultural Olympiad offers everyone in the East of England a unique opportunity to celebrate the region's vibrant artistic talent and rich cultural heritage. We are delighted to be supporting this commission over the launch weekend, and we are also pleased that several of the projects receiving the new Inspire mark in this region are funded by the Arts Council." Andrea Stark, Executive Director for Arts Council England, East
"For four years we'll be celebrating the UK's inclusive, creative and world leading culture. To kick-start this we have a powerful programme of public art and events that will surprise, engage and delight residents and visitors across the region. The Cultural Olympiad has the potential to challenge how we think about who we are and where we live, as well as offering opportunities to be part of large public events and to delight in spectacle." Liz Hughes, Creative Programmer for the East of England for London 2012
‘The Body Electric’ is a part of Norfolk Celebrating Talent, the countywide partnership programme to maximise benefit from the London 2012 Olympic and Paralympic Games.
Labels:
arts-and-theatre,
events,
norwich
Norwich Twenty Group Autumn Exhibition,Art Sans Frontières Trois
Works from Norfolk, Novi Sad, Koblenz and
Rouen Guest Artist Brian Whelan
The old Bally Shoe Factory, Hall Road Norwich
September 15 - September 26 - 10am - 5pm.
Admission Free
Rouen Guest Artist Brian Whelan
The old Bally Shoe Factory, Hall Road Norwich
September 15 - September 26 - 10am - 5pm.
Admission Free
Norwich Twenty Group (N20G) is staging one of the city’s largest art exhibitions. Art Sans Frontières Trois, featuring more than 230 works, opens on Monday, September 15 at the old Bally Shoe Factory, Hall Road, courtesy of Targetfollow Group.
The exhibition includes items from 60 of Norfolk’s best artists and contributions from N20G’s sister art groups in Norwich’s twin cities of Rouen, Novi Sad and Koblenz.
Guest Artist - It has become usual for the Norwich Twenty Group to invite a guest artist to join the exhibition. This year the Norwich 20 Group are delighted and highly honoured to announce that Brian Whelan has accepted their invitation and will be showing some of his most recent work as part of the show. Brian has chosen as his theme 'A Table of Welcome' as a gesture to the guest artists from Rouen, Novi Sad and Koblenz and the overall theme of Arts Sans Frontières Trois.
The exhibition is open daily, 10am to 5pm, from Monday, September 15 to Saturday, September 27. Admission is free. The art on show is wide ranging, from traditional figurative painting to abstract painting, sculpture, stone carving and imaginative site installations responding to the space of the old factory. An ‘End of Show Celebration Party’ will be held on Friday, September 26 from 7pm, all are welcome.
As well as the exhibition of large works, there will be an opportunity to pick up many small items in the Art Bazaar. All Art Bazaar items are donated by N20G members to raise money for the group and are sold for £15.
N20G artists, Ruthli Losh Atkinson, Geoffrey Lefever, Derek Rae, Dorothy Ransome, Stuart Shearer, Anne-Mari Stevens, John Tucket and Barry Watkins are currently featured in an exhibition at the Gallery Voyvodanska Banka, Novi Sad. Dorothy Ransome has contributed paintings to the exhibition that she created in Yugoslavia in 1948, when she was a member of the English Brigade of Students.
Members of the Twenty Group review the Final Degree Show at Norwich School of Art and Design each year and invite three young artists of exceptional talent to join the group as 'licentiates'. This means they become members of the group for one year free of charge and are qualified to take part in exhibitions. This year’s artists are Kazumi Hyodo, Samuel Halstead and Linda Chapman.
N20G was formed in 1944 comprising mainly professional artists from the Norwich School of Art and Design. The group is no longer limited to 20 and now has more than 60 members, several of whom exhibit regularly in the West End and abroad. All aspects of the practice of contemporary fine art are represented.
Over the years the membership has included nationally known artists, for example, Michael Andrews, Bernard Reynolds and Jeffrey Camp. Colin Self has taken an active role as have numerous art historians and architects. Mary Newcomb, one of Britain’s best loved artists, famous for her visionary ruralist paintings, who died in Suffolk recently, was a member of N20G for many years. Her work often sold at exhibitions for around £20. It now changes hands for five figure sums.
The Group stages two exhibitions a year, one in the early summer and the other in September.
Labels:
arts-and-theatre,
events,
exhibitions,
lifestyle,
norwich
Monday, 22 September 2008
Alerter
All you ever wanted to know about
being a retained FireFighter in Suffolk
being a retained FireFighter in Suffolk
This really was a mini-CMMI...Well, tonight proved the point beyond doubt.
But before I lose the plot let me take you back a few weeks...
I don't get to check my Fire Service e-mails very often - maybe once a week, on Drill Night. To my surprise I had received an e-mail, not actually addressed to me, just CC'ed, talking about a mini-CMMI course that was being planned and here was a list of people who might be suitable. And yes, my name was amongst the chosen few.
No one actually asked me if I wanted to do it or indeed suggested why I should do it. But this is Suffolk Fire and Rescue and communication isn't one of its big strengths. Telepathy and second-guessing are the normal methods used.
Perhaps I should explain what a mini-CMMI actually is. Well, CMMI stands for Crew Manager, Managing Incidents (please note the use of Manager and a derivative of this word, Managing). Before a firefighter can take a pump out on a shout as OIC (Officer in Charge) they must have passed a CMMI course. This is a five day course, run at Normanshurst, that puts the candidates through many different scenarios both paper-based and in the drill yard. If you are successful you can be in charge of a pump.
Unfortunately, there isn't always a high pass rate and a number of stations are having problems getting pumps out because there are no JO's (Junior Officers) or CMMI trained firefighters.
So, as always, the answer seems to be to move the goalposts. Run three 2 hour sessions, culminating in a drill, and, if you pass, you can go in charge of a pump, as a last resort.
But what constitutes "a last resort"? Who decides that we have reached the last resort? Is it down to the mini-CMMI trained firefighter? Does he or she ring control to get the necessary clearance from them? What if things go tits up? Will the hapless mini-CMMI'ed firefighter get the full support of his superiors and the Fire Service?
Lots of questions and I still haven't got round to the whole point of this blog entry... Stay with it, I will get to the point.
Last night, just before Drill, I checked my e-mails and there was nothing of any great interest. Just an invitation to Chat with the Chief but that isn't high on my list of things to do on a Thursday lunchtime!
Tonight I left home in plenty of time for the drive to Beccles for the first two hour session of the mini-CMMI. Paul Henderson of Red Watch at Normanshurst (representing Clifton Road) was already there when I arrived and we went in a started to chat about the efficacy of the mini-CMMI. Times flies and the awful realisation dawns that no one else is going to arrive.
We tried ringing some of the Beccles guys who were meant to be on this course, tracking one of them down to the real CMMI course in progress at Normanshurst. Then I rang Tim Bray, the Sub Officer at Beccles, only to be told that he had received an e-mail a few days back to say that the course had been postponed until October.
Hmm, now we have Paul fully exercising his entire vocabulary of Anglo-Saxon swear words and me doing a half decent impression of a pissed off Victor Meldrew - "I don't believe it!"
Somehow the message had managed (there's that word again) to make its way down the chain of command to everyone except myself and Paul. We've received all the other e-mails about this stop-gap, finger in the dyke ( the little Dutch boy that is, not the porno film) scheme but not one to tell us that it was off!
I can certainly think of plenty of better things to do with my Wednesday evening than have a fruitless drive over to Beccles and then spend the rest of the evening bashing frantically on the keyboard writing this blog entry! I could have cut my toe nails, emptied out my belly button fluff or, quite simply, just vegged out in front of the box.
Right now, I really can't be arsed to join in the fun when the course finally gets off the ground in October. But if I change my mind, you'll be the first to read all about it, right here...
Nighty, nighty...
www.alerter.co.uk

Aylsham’s Food Festival celebrates “50 Years of Fabulous Food”
Coming at the end of British Food Fortnight (20 September - 5 October), the third annual Aylsham Food Festival will feature an exciting range of events over three days from 3rd to 5th October.
Friday 3 October will see students from Aylsham High School preparing and serving a 5-course dinner for 100 guests.
This ambitious project follows the enormous success of a similar event last year and for 2008 it goes further with live entertainment from former student Barry Lee, who in the 1960s and 70s made a number of records with his group The Planets. Barry will be joined by a modern group, Attention to Detail, also comprising former High School pupils. The dinner also celebrates the foundation of the school in 1958 and is dubbed “50 Years of Fabulous Food”. The menu, devised by students, will include a selection of dishes which, along with the music will reflect those 50 years.For those who not only enjoy good food but want to know more about its preparation and cooking, Saturday’s free Cooking Theatre in Aylsham’s Town Hall is not to be missed. Five top local chefs will be demonstrating their skills while preparing some of their favourite dishes in an all-day event that starts at 10am. There is no charge for entry and you can drop in at any time up until 3pm.
There are three other events on Saturday 3rd, starting with the town’s award winning, FARMA-accredited Farmers’ Market in the Town Square. A wide range of local produce will be on sale, starting at 9am.
Children from 5 to 11 years old will be catered for in two Kids Cooking Workshops at John of Gaunt primary school in Hungate Street. Fun and learning is guaranteed as the children produce food with a Halloween theme. Booking, at a cost of just £2 per child to cover expenses, is essential - phone 01263 734108 for details.Whether you like to ‘dosey doe’ or ‘strip your willow’ with a stranger, Saturday’s final event, a Barn Dance at Aylsham Fun Barns is the place for you. The band, Bric-a-Brac, are familiar favourites, playing live traditional folk music and calling the dance steps so that even children can enjoy the evening. Tickets cost £4 in advance (with discounts for families) and £5 on the night while food and a licensed bar will be available. The fun begins at 7.30 and tickets are available from Aylsham Fun Barns (01263 734108), Aylsham Market Place each Saturday morning in September or the Old Tea Rooms in Red Lion Street.
It’s back to the Town Hall on Sunday morning for the famous Slow Food Big Breakfast which brings the Festival to a close. A traditional English breakfast, using local produce will be served in two sittings at 9am and 11am, at the bargain price of £4 per person.
Aylsham’s Food Festival is organized each year by Slow Food Aylsham and is run entirely by volunteers on a not-for-profit basis. It has become an important event in the Town’s events calendar, promoting the enjoyment of local produce.
Driving hints by Mike DanielsDip Di Consultant for Driving to the Corporate Industry
Companies and businesses who are not checking their employees drive safely can now face prosecution a police campaign to reduce the 1,000 fatal crashes each year involving work vehicles.
Police can now investigate whether the company has carried out a check on their drivers, and did company managers and directors have made excessive demand on driver to make their drives to more hours behind the wheel and drive tired (this is car and van driven not HGV who would be protected by Tachograph or should be).
Since April 2008 companies can be prosecuted under new Corporate Manslaughter Act, if death caused by negligence.
20 people and 250 are seriously injured each week in crashes while driving for work.
This also includes company drivers driving their own private vehicle on company business. Get your own drivers checked just a one to one assessment could save your company thousands of pounds. 40% of crashes are related to tiredness while driving for work.
In the UK we have over 3 million company cars, a further 1 million private cars used on company business, 33% of company cars are involved in collisions each year.
- MAKE YOUR DRIVERS SAFE
- DONT GET CAUGHT OUT
- RAISE YOUR COMPANY'S PROFILE
- PREVENT THE FINES.
Over 8,000 people are injured in crashes involving parked cars at night.
If your have to park in the road at night you must stop close to the kerb facing the direction of the traffic.
When the speed limit is more than 30mph or within 10 metres of a junction you must leave your lights on.
Highest at risk on our roads:
Pedal Cyclists - Aged 9 to 14
Motocyclists - Aged 17 to 20
Car drivers - Aged 17 to 25
where more accidents occur in these groups.
On a Lighter Note:
Have you ever thought how does the driver of a snow plough get to work in the morning.
Why do speedometers in cars measure speed well beyond the engine performance and well beyond the maximum legal limit.
A driver is feeling secure driving a BMW amongst a cluster of cars all travelling at about the same speed but got stopped for speeding on the M4 motorway. The police officer handed him a ticket but before leaving the car driver asked, "I know I was speeding, but its not fair, there were plenty of other cars speeding around me going just as fast, why did I get a ticket?".
"Ever go fishing?", the officer asked.
The man replied "Yes".
The officer smiled and grinned, "did you catch all the fish?".
Why do speedometers in cars measure speed well beyond the engine performance and well beyond the maximum legal limit.
A driver is feeling secure driving a BMW amongst a cluster of cars all travelling at about the same speed but got stopped for speeding on the M4 motorway. The police officer handed him a ticket but before leaving the car driver asked, "I know I was speeding, but its not fair, there were plenty of other cars speeding around me going just as fast, why did I get a ticket?".
"Ever go fishing?", the officer asked.
The man replied "Yes".
The officer smiled and grinned, "did you catch all the fish?".
Mike Daniels AcciDON'T - Making drivers safer world wide.
Retraining Drivers for Insurance Companies,
please don't let us meet you by Accident . . .
Mike Daniels and AcciDON’T
D.S.A. Registered Trainer, Awarded Highest Grade 6
Tel: Bungay 01986 893025
Mobile: 07860 452421
Click here to read Mike’s Blog Editorialor visit web sites www.danielsdrivertraining.co.uk
www.accidont.co.uk
Labels:
driving-hints,
motoring
Labels:
music-video,
youtube
Peter Pan
Awash with swash and buckle!
Awash with swash and buckle!
Some of British television’s best-known faces will lead the cast of Lowestoft’s first professional pantomime in almost half a century.
Ken Farrington, best known for his role as Tom King in the popular drama Emmerdale will be joined on stage at the town’s Marina Theatre by Jamie Rickers, presenter of GMTV’s top rating Toonattik in a spectacular production of Peter Pan running from December 11.
Ken Farrington on set of Emmerdale with his screen 'King' family (playing Tom King)- photo credit ITV/Yorkshire
Farrington a stalwart of British theatre and also known to millions as Annie Walkers’ wayward son Billy in Coronation Street and Rickers who regularly attracts vast audiences to his popular children’s television show will head the cast which is being produced by the team behind the stage version of Disney’s Beauty & The Beast.
Ken Farrington (on set of Coronation Street in 1978 - playing Billy Walker)- photo credit ITV/Granada
Taking the role of the villainous Captain Hook, Farrington said this week, “After over 45 years in the business I’m am absolutely delighted to be making my pantomime debut at the Marina Theatre and very much looking forward to trying out my evil Captain Hook on the people of Lowestoft. They’d better watch out!"
Jamie Rickers said: “I am thrilled to have been invited to appear in Lowestoft especially in a town that hasn't staged a full scale pantomime for many years. It is not only a great honour but an exciting challenge. I have many friends in the area and am really looking forward to making lots of new ones over my time with you all".
Hollyoaks regular Sarah Jane Buckley takes the role of Mrs Darling and the company will be further enhanced by the Nitwits Acrobatic Troupe, live musicians and dancers.
Peter Pan will be the first resident professional pantomime in the town since the early 1960s and marks a dramatic turnaround in the fortunes of the Marina which in recent years has seen audiences treble as its management has brought in major touring musicals, high profile artistes, professional drama, ballet, opera and since 2005 the venue has been the regional residence of the prestigious Royal Philharmonic Orchestra.
Tickets for Peter Pan are now available and start at just £5 each with concessions available for the over 60s, children and students. Family tickets and generous party rates are also available. In addition a number of shows have been specially scheduled to allow for school parties and on December 30 there will also be a sign language interpreted performance.
Marina Manager Martin Halliday said “We are delighted to announce such a strong cast for our first pantomime, the company behind the production have an excellent reputation and we believe our ticket pricing offers great value for money, we have come a long way over the past few years and see a major pantomime as the final piece of the jigsaw in our audience development. At last people will no longer have to travel hundreds of miles in the search for high quality, affordable family entertainment”.
Martin Dodd for producers, UK Productions added “UK Productions are delighted and extremely honoured to have been chosen to bring professional pantomime back to Lowestoft. We are looking forward to working with the management of the Marina Theatre to present an exciting and lavish production of one of the greatest stories ever told - Peter Pan, which will not only contain all of the traditional pantomime production values, but will also make use of our high tech CGI (computer generated imagery), to really bring to life those flying sequences. Star names, lavish sets and costumes, 21st century technology, and a rip roaring swash buckling adventure...don't miss it!"
Waveney District Councillor Stephen Ardley, portfolio holder for health and well being with responsibility for the Marina said, “I am particularly delighted that the Marina has been able to attract such a strong cast together with such a prestigious production company for its first pantomime. Peter Pan will be a huge boost to both the economy of the town and wider district and assist greatly with tourism in the area”.
Performances run from December 11 2008 through until January 4 2009, tickets are now on sale, for more information or to book seats please call the Marina Box Office on 01502 533200. www.marinatheatre.co.uk
Labels:
arts-and-theatre,
comedy,
entertainment,
events,
lowestoft,
suffolk
Tuesday, 16 September 2008
Courtesy Andy:
wildlifeaylmerton.blogspot.com
Topical link
Honey buzzards make second surprise invasion
http://www.telegraph.co.uk
Topical link
Honey buzzards make second surprise invasion
http://www.telegraph.co.uk
Labels:
norfolk-wildlife,
photos,
wild-birds
World Art Collections Exhibition
Sainsbury Centre for Visual Arts
This autumn the Sainsbury Centre is celebrating the 1960s and radical ’68 spirit with a special party night on Wednesday 5 November. I Love 1968 will feature acclaimed band The Small Fakers and is part of the On Location: Art, Space and Place in the 1960s exhibition season. The event begins at 7.15pm and tickets include entry to the special exhibitions (for full information see details below).
“I Love 1968 is part of our autumn season of events, linking perfectly with our exhibitions. 1968 was a radical year with events such as the student riots in Paris and London. Much of programme looks more seriously at radical ideas including the challenges made to traditional ideas about art in the On Location exhibition. The I Love 1968 event is designed to be lots of fun – you can even have your face painted ‘flower power’ style! We plan to completely change the atmosphere of the gallery, transforming our Garden Restaurant with live music, décor and ‘60s film projections.”
– Sally Goldsmith, Marketing and Press Manager, Sainsbury Centre for Visual Arts.
Disc Jockey Darren Leader will kick-start the evening with ‘60s tunes from bands which include the Beatles, Simon and Garfunkel and the Rolling Stones. Dancing will continue until 11pm with sets from the Small Fakers and a further DJ set.
“For those of you who never saw the Small Fakers live, this is as close as you’re going to get”
– Stan Lane, Ronnie Lane’s brother.
The Sainsbury Centre Garden Restaurant will be transformed with cabaret style tables, ‘60s décor and a dance floor. Chris Rodden is programming a wonderful series of films which will be projected to fill most of the end wall as a backdrop. These will pick up on the ’68 spirit with news footage of the day, music, film and television clips. There will also be a bar open throughout the evening and ‘60s snacks available too.
On Location: Art, Space and Place in the 1960s is a major new exhibition curated by Dr Simon Dell, Head of the School of World Art Studies and Museology at the University of East Anglia (UEA), Norwich. The exhibition opens at the Sainsbury Centre for Visual Arts, UEA, on Tuesday 23 September and runs until Sunday 14 December.
On Location brings together for the first time, work by artists from the '60s who challenged the relationship of the artwork to spaces in the gallery and the world outside. Rejecting traditional painting and sculpture, artists made work using a highly unusual range of materials to draw our attention to places beyond the artwork in the gallery. The exhibition includes works made using, for example, new technologies such as Telex and organic materials such as rocks, soil and even turf. Works by Robert Smithson, Alan Sonfist, Dennis Oppenheim, Vito Acconci, Jochen Gerz, Iain Baxter& and Boyle Family will be amongst those on display.

Sainsbury Centre for Visual Arts
This autumn the Sainsbury Centre is celebrating the 1960s and radical ’68 spirit with a special party night on Wednesday 5 November. I Love 1968 will feature acclaimed band The Small Fakers and is part of the On Location: Art, Space and Place in the 1960s exhibition season. The event begins at 7.15pm and tickets include entry to the special exhibitions (for full information see details below).
“I Love 1968 is part of our autumn season of events, linking perfectly with our exhibitions. 1968 was a radical year with events such as the student riots in Paris and London. Much of programme looks more seriously at radical ideas including the challenges made to traditional ideas about art in the On Location exhibition. The I Love 1968 event is designed to be lots of fun – you can even have your face painted ‘flower power’ style! We plan to completely change the atmosphere of the gallery, transforming our Garden Restaurant with live music, décor and ‘60s film projections.”
– Sally Goldsmith, Marketing and Press Manager, Sainsbury Centre for Visual Arts.
Disc Jockey Darren Leader will kick-start the evening with ‘60s tunes from bands which include the Beatles, Simon and Garfunkel and the Rolling Stones. Dancing will continue until 11pm with sets from the Small Fakers and a further DJ set.
“For those of you who never saw the Small Fakers live, this is as close as you’re going to get”
– Stan Lane, Ronnie Lane’s brother.
The Sainsbury Centre Garden Restaurant will be transformed with cabaret style tables, ‘60s décor and a dance floor. Chris Rodden is programming a wonderful series of films which will be projected to fill most of the end wall as a backdrop. These will pick up on the ’68 spirit with news footage of the day, music, film and television clips. There will also be a bar open throughout the evening and ‘60s snacks available too.
On Location: Art, Space and Place in the 1960s is a major new exhibition curated by Dr Simon Dell, Head of the School of World Art Studies and Museology at the University of East Anglia (UEA), Norwich. The exhibition opens at the Sainsbury Centre for Visual Arts, UEA, on Tuesday 23 September and runs until Sunday 14 December.On Location brings together for the first time, work by artists from the '60s who challenged the relationship of the artwork to spaces in the gallery and the world outside. Rejecting traditional painting and sculpture, artists made work using a highly unusual range of materials to draw our attention to places beyond the artwork in the gallery. The exhibition includes works made using, for example, new technologies such as Telex and organic materials such as rocks, soil and even turf. Works by Robert Smithson, Alan Sonfist, Dennis Oppenheim, Vito Acconci, Jochen Gerz, Iain Baxter& and Boyle Family will be amongst those on display.
I Love 1968 event details:
Date: Wednesday 5 November
Time: 7.15pm – 11pm
(last entry 9pm; entry to the On Location and Constructed exhibitions between 7pm and 8pm is included)
Where: Garden Restaurant
Price: Advance tickets £5.50 (concessions £4)
Tickets on the door £7 (concessions £6)
Booking: Recommended – T 01603 593199
Date: Wednesday 5 November
Time: 7.15pm – 11pm
(last entry 9pm; entry to the On Location and Constructed exhibitions between 7pm and 8pm is included)
Where: Garden Restaurant
Price: Advance tickets £5.50 (concessions £4)
Tickets on the door £7 (concessions £6)
Booking: Recommended – T 01603 593199

Labels:
arts-and-theatre,
events,
exhibitions,
norfolk,
norwich,
sainsbury centre,
snippets,
tourism
Subscribe to:
Posts (Atom)






















